‘Looper’ Trailer - The new film from Rian Johnson
In the futuristic action thriller Looper, time travel will be invented - but it will be illegal and only available on the black market. When the mob wants to get rid of someone, they will send their target 30 years into the past, where a “looper” - a hired gun, like Joe (Joseph Gordon-Levitt) - is waiting to mop up. Joe is getting rich and life is good… until the day the mob decides to “close the loop,” sending back Joe’s future self (Bruce Willis) for assassination. The film is written and directed by Rian Johnson and also stars Emily Blunt, Paul Dano, and Jeff Daniels. Ram Bergman and James D. Stern produce.
Brick is one of my favourite films
cannot wait to see this
(via purpleboots)
Benga ‘I Will Never Change’ (by Us), submitted by switzdj / a
Physical waveforms made from old media.
“This is a fairy tale without romance.” FUCK YES I AM OFFICIALLY EXCITED FOR THIS MOVIE.
woooooord to that!
This is getting better and better.
math dha-rìribh!
Throughout the mid to late 1970s and upwards, Hiroshi Sugimoto packed up a folding 4x5 camera & tripod, surreptitiously entered matinees (and, one can only presume, evening film events) and documented the interior of movie theatres across the United States - invoking a classic procedure borrowed from Conceptual Art. He would open the shutter just before the ‘first light’ hit the screen and close it after the credits finished rolling and before the house lights came on. Using this method he was able to invert the subject/object relationship of the movie theatre and use the film itself to illuminate the proscenium and interior. This content, largely unaddressed critically, is what lends the images their incredible power - along wtih the natural fascination of being made privy to the photography’s divine birthright - allowing us to see the normall invisible - to experience a finite collapse of time.
(via girlfriday13th)
this is nothing short of spectacular
In a thoughtful nod to Fred Astaire’s famous dance with a hat rack from 1951’s Royal Wedding, David Byrne has a similar encounter in 1984’s concert film Stop Making Sense. During a bridge of what is arguably Talking Heads’ most famous (and some would argue, only real) love song, “This Must Be The Place (Naive Melody)”, Byrne eagerly pulls a tall lamp into a dance. He grins but dances almost gingerly with his partner, much more cautious than Astaire. He hugs the lamp to him at one point very briefly and you can see all kind of concentration slip away from his face and reveal pure enjoyment. Feet on the ground, head in the sky, if you will.
I saw both Royal Wedding and Stop Making Sense as a kid and immediately picked up on the link between the two films. It seemed to be a sort of secret handshake from one artist to another, a lovely way of featuring and honoring the things you love. They are technically lonely dances, missing the look back from a real partner, but you couldn’t tell it by watching these two. They make everything look easy, possible, deliciously romantic.
(via anaees)
Ryan Gosling: "Carey and I, our relationship off camera was very similar to our relationship on camera. We really just kind of looked at each other. It just felt good. I just liked looking at her. And I didn't want to blow it by saying anything. Also, I really wanted to kiss her, so I asked the movie's director Nick if I could do it in the elevator scene before I LOL SPOILERSThis scene, and the one directly following it, was ‘intense’ lol
correction: it was FUCKING INTENSE
(via whataboutmonday)
Accent theme by Handsome Code
I'm a tumblr.
My name is Dan. I live in Edmonton. Sometimes I take pictures. Sometimes I draw things. I like cars and photography and science. You can talk to me on Twitter or ask me a question.
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