Thomas Cole, The Course of Empire: The Savage State, The Arcadian or Pastoral State, The Consummation of Empire, Destruction, Desolation, 1833-36
With The Course of Empire, Thomas Cole achieved what he described as a “higher style of landscape,” one suffused with historical associations, moralistic narrative, and what the artist felt were universal truths about mankind and his abiding relationship with the natural world. In a letter to his patron Luman Reed, Cole wrote enthusiastically of an idea for his first large-scale allegorical series:
A series of pictures might be painted that should illustrate the History of a natural scene, as well as be an Epitome of Man—showing the natural changes of Landscape & those effected by man in his progress from Barbarism to Civilization, to Luxury, the Vicious state or state of destruction and to the state of Ruin & Desolation.The philosophy of my subject is drawn from the history of the past, wherein we see how nations have risen from the Savage state to that of Power & Glory & then fallen & become extinct…Reed accepted the artist’s proposal, and Cole worked on The Course of Empire for the next three years. The five paintings were specifically designed for a prominent spot in Reed’s third floor picture gallery in his New York City mansion at No. 13 Greenwich Street. They chart the course of human civilization, while at the same time progressing through different times of day and various weather conditions, reflecting man’s changing relationship to his environment. (via)
Zdzisław Beksiński | 1929-2005 | Paintings
(Source: infrachrome, via mayor-the-sentient-planet)
I’ve heard this cue a thousand times over the last year, having worked hard on it with Nathan Johnson. And yet, Zach Johnson’s animated trailer makes it fresh again. I love when things are done the hard way. It shows.
This new Looper Animation is very, very special.
Zach Johnson (who did these painted posters) worked with Noah Fisher to create a gorgeous animation, by hand painting over 700 frames. The gif above is pulled from it, but you need to see the whole thing. I want every single one of them on my wall. Check it out over at Apple Trailers.
they should just make another version of the film and have Mr. Johnson paint over the whole thing
(via caseylalonde)
Work from his oeuvre.
“The works of William Betts operate less like paintings and more like moments captured in time. Featured in editions #60, #72, and #84 of New American Paintings, Betts uses video stills and technological applications to inform his compositions, where some works are both a reproduction and an original, stretching the limits of the medium of painting to the very edge.
cross-posting from my photo blog
composition’s a bit weird with this one
Nikon D7000, Nikkor 50mm f/1.4 AI-S







